He revealed that it was his 18-year dream to make this film. In 2019, Parthiban wrote, directed and appeared in Oththa Seruppu Size 7, as the only character. In 2018, he acted in bilingual Malayam-Tamil drama film Kinar. Followed by a comedy film, Podhuvaga Emmanasu Thangam (2017).
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He appeared in Kannada movie Dada Is Back (2017), which he played in lead role as undisputed king of the underworld in Bengaluru. He acted in supporting role in the Maaveeran Kittu (2016) and Koditta Idangalai Nirappuga (2017). In 2015, he portrayed a cop in Massu Engira Masilamani and played a comedian villain in Naanum Rowdy Dhaan. The film, which has a tagline reading "a film without a story?", began production in late 2013 and released on 15 August 2014 and received positive reviews from all the sides and was a huge blockbuster hit in the box office. His previously released movie Kathai Thiraikathai Vasanam Iyakkam becomes Parthiban's first directorial film in which he does not feature in the lead role. The film Aayirathil Oruvan (2010), in which he portrayed a Chola King, won him the Filmfare Award for Best Supporting Actor – Tamil. Similarly, he launched three films simultaneously titled Kartha, Rowdy and Adi after the failure of Kudaikul Mazhai (2004), though all projects were abandoned. Despite having a high-profile launch and completion of a few filming schedules, the venture was shelved.
Rahman composing four songs for the film. In 2001, he launched an ambitious directorial project titled Yelelo, with A. His 1999 Tamil film Housefull won the same award. After the critically acclaimed and award-winning films such as Housefull (1999) and Azhagi (2002), audience and the trade have acknowledged the maker's undisputed talents. The actor has remained uncompromising and stuck to his principles in spite of some not-so-memorable roles in the past. He has taken roles that other heroes would carefully avoid, directed films that his critics found to be arty. Parthipan, the actor, director and producer, loves breaking the conventional rules set by commercial cinema. He played a man from a lower caste who a zamindari falls in love with. He won Tamil Nadu State Film Award for Best Actor for Bharathi Kannamma (1997). In 1996, he acted in the comedy film Tata Birla. He then directed and acted in 1994 in Sarigamapadani, co-starring with Roja and Sangita and the next year in Pullakuttikaran, co-starring with Sangita and Urvashi. Despite negative reviews, the film has been declared a super hit at the box office. Ayyappa Prasad of The New Indian Express labelled the film as "flesh and bore". In 1993, to recoup the financial losses, he directed and acted in the commercial film Ulle Veliye. He then directed and acted in Sugamana Sumaigal, a clean family drama, which failed at the box office. In 1992, he starred in Unnai Vaazhthi Paadugiren, co-starring with Suman Ranganathan and Mohini. Sundarrajan's Thalattu Padava and in the devotional film Engal Swamy Ayyappan. In early 1990, he directed and acted in Pondatti Thevai, which failed at the box office. The film was released to critical acclaim and emerged a box office success, while also winning several accolades, including the National Film Award for Best Feature Film in Tamil, Tamil Nadu State Film Award for Best Film and Tamil Nadu State Film Award for Best Story Writer. In 1989, he made his directorial debut through Pudhiya Paadhai, starring himself as an inhuman ruffian who gets reformed by his rape victim.
He runs a charitable trust named "R.Parthepan Manidha Neya Mandram". He wrote a book, Kirukkkalgal – Thamizh Kavithai Thoguppu, which was released by M. Then, he played the role of a postman in his mentor's Dhavani Kanavugal (1984).Īpart from direction and acting, he produces films. He made his first film appearance in Ranuva Veeran (1981). At that time, he used to make around Rs 6000 a month by dubbing for various artists. After this, he joined as an assistant of K.
He was even given an opportunity to assist in dialogue in the name of R. He started as an Assistant Director in the film Vedikkai Manidhargal.
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